For Daily Caller, Menendez controversy makes for ‘a very good day’

From The penny stock egghead review Post archives Published: December google sniper 1995, Friday, Final Edition Two of the top computer technicians at Automated Information Management Inc.
in Lanham turned in their resignations yesterday, one small sign that the partial federal shutdown is having a troubling impact on sma… IN MACAU,


At the end of a successful business trip to southern China, tire trader Yuan Shihao decided to make the most of his good fortune. Instead of catching a train home to Hunan province, he took a bus to Macau, a former Portuguese colony studded with casinos.Bill
Turque, a reporter for The Washington Post, has won first prize for print beat reporting in a national contest held by the Education Writers Association. In Jean-Jacques Annaud’s “Day of the Falcon” warring Arab leaders in the early 20th century agree to a peace sealed with a buffer zone, but their pact is threatened by oil discovered there. Brad Evans and Robbie Rogers

score to give the Crew a 2-0 win over Kansas City on Saturday night for a spot in the MLS Cup semifinals. INDIANAPOLIS – The Republican faceoff with labor unions in the Midwest and elsewhere marks not just a fight over money and collective bargaining, but also a test of wills over how to improve the nation’s schools.
Hollywood executives keep insisting that Americans want to watch only computer animation.
But the likely candidates for the Oscar for best animated feature defy this assumption.
A quick and easy bread with a rich and nutty

How to blunt spear phishing attacks

Epidural steroid google sniper for spinal stenosis may google sniper review more harm than good, a small study suggests. Venezuelan President Hugo Chávez has strongly defended his economic record after a turbulent year in which the country has been rocked by recession and 30

percent inflation.Jeff Withey scored 22 points and every senior had a big night at their last home game, leading No.
4 Kansas past Texas Tech 79-42 at Allen Fieldhouse on Monday night.
Paul Ford browses a bygone Brooklyn, Amanda Fortini hits the hot springs, Nathaniel Rich visits the New Orleans Pharmacy Museum and more. Up a hill, off a narrow road that winds past historic homes and the ruins of the Patapsco Female Institute, sits a secluded neighborhood of clapboard houses. The unemployment

rate in the Washington region dropped in January to 6.1 percent from 6.9
percent a year before, according to U.S. Labor Department data released Friday, showing job growth taking hold in most sectors but lingering problems in state and local government.

TIJUANA, MEXICO – To embattled authorities here, where heavily armed soldiers patrol the streets and more than 500 people have been killed this year, marijuana is a poisonous weed that enriches death-dealing cartel bosses who earn huge profits smuggling the product north.
Advice on how to confront ageism in the gay

community despite earlier losses and how to avoid being

ArtsBeat: Jon Stewart to Direct Serious Film, Will Take Hiatus From ‘Daily Show’

He google sniper review launch California’s modern wine industry. Allegations google sniper review Mayor Fenty turn out to be baseless.Lenders
have become even less willing to part with their money, further crimping budgets and family spending.
partial outage lasting 16 hours on Tuesday and Wednesday morning was caused by a firmware update gone awry that triggered a temperature spike in a Microsoft data centre, resulting in automatic safeguards that made a

large number of servers inaccessible.
I BEAT THE ODDS From Homelessness to the Blind Side and Beyond By Michael Oher with Don Yaeger Gotham.
250 pp. $26 By the time Michael Oher got around to telling it, The Michael Oher Story was already well-known and seemingly devoid of new angles. Oher, an African American who plays offensive … My nominee for most effective whistleblower in the D.C.
school system, Erich Martel, has finally gone too far

in the eyes of some school administrators. Fantasy film continues to work its wizardry while Side Effects and Welcome to the Punch follow the yellow brick road to the topThe winnerFacing relatively weak fresh competition from new releases, Oz the Great and Powerful managed a decent hold, declining 30% from the previous weekend for a 10-day total of £7.7m.
That’s enough for eighth place among 2013 releases so far, behind Les Misérables (£39.9m), Wreck-It Ralph (£22.0m),
Django Unchained (£15.4m), The Impossible (£13.2m), A Good Day to Die Hard (£10.6m),
Lincoln (£8.5m) and Quartet (£8.2m). Oz is certain to overtake the last three in that list, and Disney will be hoping for a lot better than that, especially with Easter still to come. But it’s clear that the film is nowhere in the same league commercially as Oz producer Joe Roth’s Alice in Wonderland, which reached a hefty £37.8m here in 2010.Not
recorded in the official takings for the weekend are Saturday and Sunday previews of The Croods, from DreamWorks Animation. Believed to be in the £1.7m zone, the caveman film will have provided strong competition to Oz in matinee slots. Comic Relief on Friday also presented a challenge to all films in the market, especially family-skewing fare such as Oz.The
casualty listNot counting The Croods previews, three new titles arrived on 300-plus screens, and all disappointed. London cops-and-robbers thriller Welcome to the Punch did best of the bunch, which is remarkable given that it debuted on just £460,000. That’s the lowest tally for a third-placed film since July 2010, when World Cup football was still laying waste to UK cinemagoing.
It’s also the weakest box-office for a new entry since Christmas 2011, when Bollywood picture Don 2 led a notably meagre field of fresh product.Distributor Momentum will be disappointed with the result for Punch, which stars James McAvoy and Mark Strong, but it could have been worse.
Warners had an even lower number to contend with for its warring-magician comedy The Incredible Burt Wonderstone, starring Steve Carell and Jim Carrey.
Delivering weekend takings of £306,000 from 386 cinemas, and a puny screen average of £793, the result suggests that in the notoriously fickle market for big-screen comedy, affection for these toplined stars has significantly waned.
The premise and cumbersome title may also have represented negatives for audiences.Taking up the rear is Red Dawn, a remake of the 1984 US invasion actioner, arriving belatedly having filmed in 2009 and then

become stuck in legal limbo. Despite a cast including Thor’s Chris Hemsworth and The Hunger Games’ Josh Hutcherson, this slice of gung-ho US patriotism always looked a tough sell in the UK, and new player Koch Media may not be

too disappointed with £255,000 from 341 cinema, and a £749 average.The survivorWhile the new entrants floundered, and most existing titles fell by significant amounts, the shining exception proved to be Steven Soderbergh’s Side Effects, down just 15%. Either, uniquely in the market, its audience was not at all interested in Comic Relief or Six Nations rugby or, more plausibly,

the film is enjoying strong word of mouth among cinemagoers.Crash and burnHaving landed in 33rd place on its opening weekend with just £19,200 from 105 cinemas, Fire with Fire

predictably plummeted in its second session. Now languishing in 77th place, having shed the majority of its initial sites, the Josh Duhamel action film fell by a calamitous 96%, with second-frame takings of £850 from 13 venues, delivering a £65 average. The transfer to DVD can’t arrive soon enough.The alternativesWhile the wide releases fared pretty dismally, films arriving on fewer than 100 screens in many cases performed just as badly.
The Paperboy achieved a screen average of £1,730, which on a typical weekend would hardly be a cause for riotous celebration, especially since you would expect decent numbers when the rollout is limited to 82 carefully selected cinemas. However, since that’s the third highest average in the market, credit is due to distributor Lionsgate. A debut of £142,000 was enough for 13th place, with 58% of the total earned in the generously defined London and West End regions.
Strong marketable elements included stars Zac Efron, Matthew McConaughey and Nicole Kidman, while an attractive poster successfully communicated a sexy, lurid, steamy drama with strong critical endorsement.
In fact, reviews were highly mixed, with a Metacritic score of just 45/100.A documentary about the 1945 Labour government’s creation of the welfare state may not suggest itself as an easy sell at cinemas, but add the cachet of esteemed director Ken Loach and The Spirit of ’45 had more than a fighting chance.
Released on 17 screens, the film took around £18,000 on Friday and Saturday before surging on Sunday thanks to a live post-screening Q+A with Loach, beamed into 49 cinemas from London’s Ritzy Brixton. That was enough to deliver a healthy three-day tally of £78,000 (or £83,000 including previews).Other
limited releases fared less well. Horror remake Maniac, shot from the POV of killer Elijah Wood, disappointed with £21,400 from 53 sites, plus previews.
Vinyl, based on the true story of veteran Welsh rockers the Alarm inventing a fictitious band to front their latest recordings, floundered, with £9,800 from 60 venues, plus previews.
Best results were in Wales. In arthouses, Beyond the Hills, with £16,100 from 15 cinemas, plus £2,800 previews, failed to match the debut of Romanian director Cristian Mungiu’s 4 Months, 3 Weeks and 2 Days, which began its run in January 2008 with £67,000 from 22 sites, plus £13,000 in previews.
Beyond the Hills may have fared better via the Curzon

on Demand home-viewing platform, but those figures are not released. The admired Shell, with £9,700 (plus previews) from 12 cinemas, arguably represented one specialised release too many.
Scotland, where the intimate drama is set, delivered 51% of the total.The futureSince

those Croods previews were not included in official tallies, the frame overall placed a dismal 51st out of 52 in the league table of weekend takings for the past year.

is 34% down on the equivalent

session from 2012, when The Devil Inside, 21 Jump Street, We Bought a Zoo and Contraband all re-energized the market. It’s also a troubling 53% down on average weekend box-office for the past year.
Cinema bookers are now pinning their hopes on Melissa McCarthy comedy Identity Thief, which has already grossed $124m in the US. And of course The Croods, the first DreamWorks Animation title to go out through 20th Century Fox, already

looks a slam-dunk. Joining the fight for the Easter audience is Bryan Singer’s pricey Jack the Giant Slayer, starring Nicholas Hoult and Ewan McGregor, while Nicolas Cage vehicle Stolen aims to challenge the notion that cinema audiences are generally looking for something fresh and different.Top 10 films1. Oz the Great and Powerful, £2,609,465 from 539 sites. Total: £7,683,6992.
Side Effects, £759,363 from 371 sites. Total: £2,277,8613.
Welcome to the Punch, £460,250 from 370 sites (New)4. Wreck-It Ralph, £426,343 from 458 sites.
Total: £21,995,9495. Parker, £308,335 from 276 sites.
Total: £1,229,8896. The Incredible Burt Wonderstone, £305,936 from 386 sites (New)7.
Mama, £266,521 from 299 sites. Total: £5,054,6838. Red

Dawn, £255,448 from 341 sites (New)9.
Hansel & Gretel: Witch Hunters, £221,452 from 270 sites. Total: £3,178,31710. The Guilt Trip, £157,016 from 284 sites. Total: £814,530Other openersThe Paperboy, 82 sites, £141,881The Spirit of 45, 43 sites, £77,717 (+ £5,511 previews)Maniac, 53 sites, £21,384 (+ £6,943 previews)Paradesi, 20 sites, £19,635Beyond the Hills, 15 sites, £16,148 (+ £2,803 previews)Vinyl, 60 sites, £9,758 (+ £3,547 previews)Shell, 12 sites, £9,724 (+ £5,111 previews)Earthbound, 11 sites, £2,676Michael H Profession: Director, 6 sites, £950Science fiction and fantasyAction and adventureFilm industrySteve CarellJim CarreyJames McAvoySteven SoderberghSam RaimiJames FrancoMichelle WilliamsCharles
© 2013 Guardian News and Media Limited or its affiliated companies.
All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds Lord Armstrong’s monumental estate at Cragside, the first house in the world to have electric power, notches up its 150th birthday this year.
It’s getting a new hydro-electric power station as a present.William
Armstrong’s Cragside home in Northumberland celebrates its 150th birthday this year by reinstalling a hydroelectricity system originally established by the house’s first owner. Cragside, which now belongs to the National Trust, was built over more than 20 years from 1853, mostly by the architect Norman Shaw, in a partially Tudor style. Set in the Northumberland landscape near the market town of Rothbury, it was called by Sir Nikolaus Pevsner “the most dramatic Victorian mansion in the North of England.” He added:The site is Wagnerian – and so is Shaw’s architectureThe new hydro system will provide enough energy to light the house again. Andrew Sawyer, who is the National Trust’s conservation and interpretation officer at Cragside, said: Lord Armstrong was an exceptional man with a genius mind and the prospect of bringing his vision for Cragside into the 21st century is a dream come true.
Hydroelectricity is the world’s most widely used form of renewable energy, so we are looking forward to sharing this very special part of its heritage. In the year of building dreams at Cragside, as well as powering the house by Hydroelectricity once more, later

in the year we plan to open a new exhibition in the house which tells how the Armstrongs ensured their dreams had a legacy.The
Tyneside industrialist ploughed some of the vast profits from his Elswick armaments works – which employed 25,000 people at its height – into building his huge “palace of a modern magician”. In the 1860s, Armstrong dammed streams on the estate to create three lakes. He originally used water power to run a spit for roasting in the kitchen, as well as laundry equipment and a lift, and one of the country’s first flushing lavatories. By 1878 he had installed a turbine and dynamo to power an arc lamp in the house’s gallery, making Cragside almost certainly the first house in the world with electric light, powered by the world’s first hydro-electricity station. The early arc lamps were highly unsatisfactory and were replaced in 1880 by 45 of Joseph’s Swan’s newly invented incandescent bulbs – not cheap at 25/- each.
In October 1880, electric light had first been publicly demonstrated by Swan at a lecture at Newcastle’s Lit & Phil, of which Armstrong was the president. Although Swan’s

house in Gateshead can claim to be the world’s

first to be lit by electric bulbs, Swan himself wrote about installing his lights with Armstrong:As far as I know, Cragside was the first house in England properly fitted up with my electric lamps. It was a delightful sensation for both of

us when the gallery was first lit upThe house had Pre-Raphaelite pictures and stained glass alongside a large number of pictures of dogs and works which Pevsner rather sniffily says show “what was permissible to the Victorian nobleman in the way of erotica.” Amongst his better paintings were two important Turner watercolours, and Millais’ Chill October, for which he paid £945 at Christie’s in 1875 and which was much admired

by van Gogh, who wrote in 1884 I for my part always keep thinking about some English paintings – for instance Chill October by Millais. The collection was mostly dispersed after Armstrong’s death.
Chill October was sold again in 1991, fetching £370,000 at Sotheby’s – it now belongs to Andrew Lloyd-Webber.Also taking place at

Cragside in 2013 is an exhibition, Captured on Camera, which will show images from a personal photograph album of Lord Armstrong’s great nephew and his family, who took over as owners of Cragside when Lord Armstrong died.
In June, a number of temporary artworks will be installed at various locations on the Cragside estate as part of the Festival of the North East.
The artworks will “give a modern interpretation of the pioneering vision of Lord and Lady Armstrong.”Alan
Sykes is the Guardian Northerner’s roving arts specialist and a sheep farmer in the high Pennines. He Tweets here.NewcastleEnergyHeritageHeritageNorthumberlandThe National TrustAlan
© 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More

The Fifth Down: Leading Off: The Patriot Highway

Two new condos report penny stock egghead sales, just months after a storm google sniper the area in tatters. Fixed 30-year mortgage rates in the 5 percent range? Minimum down payments below 5 percent? Jumbo-size home loans for high-cost markets at regular interest rates? Kiss them good-bye – possibly sooner than you might guess.Dr Dave Hone takes a look

at the issues facing palaeontologists past and present when it comes to moving fossilsA key problem with excavating dinosaurs and other fossils is that these tend to be in remote places.
Deserts and badlands are generally by definition not well populated and with few transport links.
That means that once you have dug up your bones and wrapped them in a protective plaster jacket, you need to get them to a road in order to get them to a museum.
Off-road vehicles help of course, but can’t always get that close to the site.My
field experience is limited compared to many of my colleagues, but I’ve had my share of trying to hump blocks that are a few hundred kilos across half a mile of incredibly broken ground, up sand-dune slopes, or out of narrow valleys.
A good grip can be hard to find and generally some rope, brute force and ignorance are all that can really do the job. Some locales suffer more extreme issues. A number of great sites in the U.S. are protected such that wheeled vehicles are not allowed off-road, so teams need to lug all their kit both in and out of the

When it comes to big finds like whole skeletons, these would be impossible to manhandle multiple miles cross-country and so they have to be air-lifted by helicopter.Naturally
modern machinery makes a big difference, but even back in the late 1800s and early 1900s there were typically large numbers of horses (or camels in Asia) available, and distances to some form of road or railway were not too prohibitive. However, one major expedition really took the biscuit, cake and most of the sweet trolley when it came

to transporting bones, and recently I was lucky enough to catch up with the last vestiges of their efforts. Descend to the bone cellar in the Berlin Museum for Nature today and there are a couple of neat racks of bamboo cylinders on the shelves representing the last of the dinosaur remains collected in east Africa over a century ago.Back in the first decade of the 1900s, a team of German palaeontologists began excavating what would prove to be one of the great dinosaur field sites in what is now Tanzania. Huge numbers of colossal bones were uncovered (and indeed plenty of small ones) and in just a fear years of excavation they had amassed a collection of thousands of individual specimens (though sadly many were lost in World War II bombings).
However, the terrain was horrific and funds were relatively low, and pack animals didn’t do well in the heat.
So how do you transport single bones that weigh several hundred kilos some 60 kilometers (as the crow flies) to the coast?The solution was to have them carried by hand. A near army of locals were hired to help dig out the material and still more were employed to carry the bones out of the field. Local bamboo was cut and held together with wire to create cylinders that could be carried by a single person. The cylinders were then walked out in trains of people to the port of Lindi where they were packed

into crates and shipped to Germany.
Larger cases were created that could be carried by two to six people (and on one occasion eight), but beyond this they became too hard to manipulate over

the rough ground and so setting a relatively low size limit on what could be carried. The biggest bones were therefore carefully broken into smaller chunks, marked up, and then reassembled back in Berlin. All together it required more than 5000 man-journeys (it was a four day walk to the coast) to shift 185 tons of material in 4300 individual containers in under five years. So many of these were taken out in such a short space of time, and so much work was required in Berlin to open, prepare, clean and mount the fossils that not all of the containers were ever opened.
Fortunately while there may be a few still sitting unopened, their contents are not a mystery as a few years ago the museum had them CT scanned so we do know what is in there.One
would be surprised if technological advances hadn’t strongly influenced research developments and the techniques used by palaeontologists to get material out of the ground and back to their labs.
However some things do never change (and probably won’t for a great many years, if ever) and the simple physicality of lifting material and carrying it to where it can be safely loaded is one such feature of fieldwork. Even with hundreds of bearers, the idea of carrying the best part of two hundred tons of bones cross-country for tens of miles seems staggering, and my respect of their achievements is colossal: the material is in superb condition. Still, I wouldn’t have minded a spare helicopter on a couple of my last few trips to ease the burden.DinosaursFossilsDr
Dave © 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved.
| Use of this content is subject to our Terms & Conditions | More Feeds Lawmakers have passed a landmark shark conservation bill, closing loopholes that had allowed the lucrative shark fin trade to continue

thriving off the West Coast. British director fails to

appear for indie western Jane Got a Gun, her follow-up to We Need to Talk About KevinConfusion has erupted on the set of independent drama Jane

Got a

Gun after director Lynne Ramsay failed to turn up for work on the first day of shooting in Santa Fe, New Mexico, according to Deadline.Ramsay’s
follow-up to the critically acclaimed We Need to Talk About Kevin, Jane Got a Gun is a western that is to star Natalie Portman in the title role, as well as Joel Edgerton, Jude Law and Rodrigo Santoro. When the cast arrived for work on Monday morning they were told the British film-maker was a no-show.
Producer Scott Steindorff has described Ramsay’s behaviour as “irresponsible”. Earlier today it was announced that Warrior’s Gavin O’Connor would take charge of production, with suggestions he will begin work as early as tomorrow. The Hollywood Reporter described “clashes” between Steindorff and Ramsay, though no details have yet emerged. Deadline is also suggesting that Law has dropped out, as a result of Ramsay’s departure.”I have millions of dollars invested, we’re ready to shoot, we have a great script, crew and cast,” Steindorff said. “I’m shocked and so disappointed someone would do this to 150 crew members who devoted so much time, energy, commitment and loyalty to a project, and then have the director not show up. It is insane somebody would do this to other people. I feel more for the crew and their families, but

we are keeping the show going on, directors are flying in, and a replacement is imminent.”Steindorff,
who has invested in the project via his Scott Pictures production company, said he was considering his legal options.
“This comes down to an irresponsible act by one person.”Ramsay’s apparent decision to not appear for the first day of the shoot is virtually unprecedented in Hollywood, but the director of Morvern Callar and Ratcatcher has yet to make a public statement and had not responded to a request to comment by the Guardian by the time of publication.Jane Got a Gun is based on a screenplay by Brian Duffield which made the 2011 Black List of the best unproduced scripts in Hollywood and would have marked Ramsay’s first feature project by another screenwriter.
Portman, best known for her Oscar-winning turn in Darren Aronofsky’s Black Swan, plays a farmer’s wife whose outlaw husband returns home bloodied and near death after his gang turn on him.
When the miscreants reappear to finish the job, Jane must enlist the help of an

old flame to defend her life and home.Ramsay left an adaptation

of Alice Sebold’s bestselling novel The Lovely Bones in 2004 after producers declared an interest in seeing a film version that was more faithful to the book. The film was eventually directed by Peter Jackson in a rare critical bomb from the Lord of the Rings film-maker.Natalie PortmanJude LawFilm industryUnited StatesWesternsDramaBen © 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds Two United States attorneys traveled to Cambodia this week to see firsthand a temple tied to a 10th-century statue, whose ownership is under contention. A paper

published in Nature Communications details the 2006 discovery of the fossilized remains of a giant camel in Canada. It was August of 2006 when Dalia Ziada, a young Egyptian writer, discovered her favorite comic-book action hero.

He trumpeted justice.
He preached of nonviolent pressure.
And he had dreams of a promised land that protest might

Stealth Calories

So it’s pretty clear google sniper browsers are supposed to do.
google sniper review in reality this varies. It doesn’t just depend on the browser and operating system but also on user settings. To find out what current browsers do, I

created a simple Media Query width test document with a number of breakpoints and opened it in a lot of browsers.
The expedition sets off from Maui in search of competitive groups, large groups of male whales that form frequently at this time of year.The Planetarium at the Suffolk County Vanderbilt Museum in Centerport is reopening after a renovation, including a new projection system.
Ina Drew blames deception by London team for ‘London Whale’ trading incident, which saw company lose £4bnIna Drew, the former top banker who oversaw JP Morgan’s London Whale trading losses, insisted that she was not to blame for the $6.2bn
(£4.1bn) black hole that ended her 30-year career.During hostile questioning in a US Senate hearing, Drew said her oversight had been “reasonable and diligent” and blamed the problems on “deceptive conduct by members of the London team”.Drew,
who was one of Wall Street’s highest-paid bankers, was head of the “chief investment office” that oversaw the London trading operation where the so-called London Whale trading incident took place. The incident is so called because a trader named Bruno Iksil, known as the London Whale because of the size of the positions he took, made a bad bet on derivatives positions. The Senate investigation found Iksil had objected to the directives of his bosses over the trades and called their instructions “idiotic”.”Some members of the London team failed to value positions properly and in good faith, minimised reported and projected losses, and hid from me

important information regarding the true risks of the book,” Drew said.JP Morgan was mauled by members of the Senate subcommittee, which criticised chief executive Jamie Dimon for withholding information from regulators as the bank’s London losses

bank had snubbed regulators, manipulated documents and flouted its own risk rules as it racked up losses, senators said.The
hearing, chaired by retiring Democratic senator Carl Levin, came a day after the committee published a damning 300-page report on JP Morgan’s handling of the London Whale trade.
“Firing a few traders and their bosses won’t be enough to stanch Wall Street’s insatiable appetite for risky derivative bets or stop the excesses. More control is needed,” said Levin in his opening statement.”The American people have already suffered one devastating economic assault rooted largely in Wall Street excess, and they cannot afford another. When Wall Street plays with fire, American families get burned.
The task of federal regulators, and of this Congress, is to take away the matches. The Whale trades demonstrate that task is far from complete,” he said.The committee heard that Dimon temporarily withheld key data from the regulator,

the Office of the Comptroller of the Currency, as the bank’s trading problems grew. Executives said the bank was concerned that information had been leaked in the past. “I’m not sure that there are many organisations or institutions that could get away with such a thing,” said Senator John McCain.Douglas
Braunstein, JP Morgan’s chief financial officer, said: “Senator, the report in question, I am not certain, I am not aware, if it was a report required to be sent to regulators.”According to the senate committee, JP Morgan changed the model it used to measure the risks it was running shortly before the massive losses were disclosed.
The change gave the appearance of halving the risk being taken by JP Morgan even as the bank’s London traders were taking ever riskier bets. Dimon dismissed press releases about the mounting losses as nothing more than a “tempest in a tea cup”. Levin suggested that the bank started trying to aggressively mark down its losses.Levin asked Braunstein whether it was appropriate for the bank to attempt to minimise its losses. Braunstein denied that they did this. Levin brought up a transcript of a conversation between Drew and Javier Martin-Artajo, who supervised the London traders.”It’s
absolutely fine to stay conservative, but it would be helpful, if appropriate, to get … to start getting a little bit of that mark back,” she said. Drew said that she was “challenging him” to show that the position was correct with data.”But you used the word helpful.
Right?” said Levin. “Tweaking is not a prediction or a hope, by the way – tweaking is changing something.”And
I hope the guidance that you would give would be against tweaking,” he said. “The suggestion was that he tweak something to make the numbers look better.”The Senate hearing follows JP Morgan’s own investigation in January, which put the blame on Drew for failing to be sure that her team understood the traders.JP Morgan’s acting chief risk officer, Ashley Bacon, said the bank had taken many actions to make sure that something like this could not happen again.What they saidFormer JP Morgan banker Ina Drew”I did not, and do not, believe I bore personal responsibility for the losses … Some members

of the London team failed to value positions properly and in good faith; minimised reported and projected losses; and hid from me important information regarding the true risks of the book.”Senator Carl Levin “If derivatives books can be cooked as blatantly as they are in this case without breaking the rules, then the rules need to be revamped.”Senator Levin to Drew “You said Jamie Dimon [JP Morgan's chief executive] knew about all the … trading.
Is that true?” Drew “Yes.”JP
MorganBankingStock marketsUS SenateUS politicsUnited StatesDominic
© 2013 Guardian News and Media Limited or its affiliated companies.
All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds As early spring approaches, gardeners are thinking about their properties, and I’ve received questions about vehicular circulation, screening, controlling damage from deer and other topics. The Defense Department has notified Congress that it wants to sell $60 billion worth of advanced aircraft and weapons to

Saudi Arabia. The proposed sale, which includes helicopters, fighter jets, radar equipment and satellite-guided bombs, would be the largest arms deal to another country in U.S….
Jets Coach Rex Ryan, speaking at the A.F.C.
coaches’ breakfast on Tuesday, perhaps played a game of semantics when he said that the Jets are not actively trying to trade cornerback Darrelle Revis. RAMALLAH, West Bank — Banks fearful of U.S. retribution are preventing millions of dollars in foreign aid from

reaching the Palestinians, the Palestinian finance minister acknowledged

S. Korea says it will strike against North’s top leadership if provoked

Lenders have become google sniper review less willing to part google sniper their money, further crimping budgets and family spending. WASHINGTON – Senate Republicans on Monday raised the stakes in their showdown with President Barack Obama over trade policy, saying they will block the confirmation of

a new Commerce secretary until the

administration submits to Congress three pending free trade agreements.About
17 percent of car title loans incur repossession fees of about $400. Duelling biopics of Muhammad reflect differing traditions of Sunni and Shia Islam over depiction of the Muslim prophetFilm-makers in Iran and Qatar are planning rival biopics about the life of Muslim prophet Muhammad, according to the Hollywood Reporter, despite the risk of offending religious sensibilities that such plans inevitably throw up.Oil-rich Qatar recently announced a series of epics designed for a worldwide audience about the seventh-century prophet of Islam.
Production company Alnoor Holdings has hired Lord of the Rings producer Barrie Osborne and Sunni Islam

scholar and al-Jazeera broadcaster Yusuf al-Qaradawi to provide advice on what could be a $1bn project.
“They certainly have the money to do it,” Osborne told the Hollywood Reporter, adding: “They are being understandably very cautious.”Meanwhile,
Iranian director Majid Majidi (The Song of Sparrows, Children of Heaven) began shooting a rival $30m Muhammad

film in October. In keeping with Shiite-dominated Iran’s more liberal attitude to depictions of the prophet, he plans to show Muhammad on screen, though not his face. Qatar is largely Sunni, which sees all renderings of the prophet as blasphemous, so Muhammad would be unlikely to appear in the Alnoor Holdings film.Perhaps the best-known film about the life of Muhammad is The Message, a 1977 film by Halloween producer Moustapha Akkad; described as the story of Islam, it was ultimately financed by Libyan dictator Muammar Gaddafi after Hollywood refused to fund it. Starring Anthony Quinn and Irene Papas, the film avoided any depiction of Muhammad on screen.
Scenes were occasionally shown from the prophet’s perspective but he was not seen and his voice was not heard.
Even so, the film drew anger from Muslims who had heard a rumour that Quinn was playing Muhammad. In March 1977, the film was named as a grievance (among others) by an armed group who took 149 hostages and killed a radio journalist and a police officer during a standoff in Washington DC.The issue is a sensitive one. Protests erupted across the Muslim world in September after clips from a US-made film depicting Muhammad appeared on YouTube. Innocence of Muslims caused anger for its depiction of the prophet as a womaniser and paedophile, but also upset worshippers who believe that it is blasphemous to depict him on screen.
The LA Times reported last year that two further US-based film-makers were planning anti-Muslim projects, though neither has yet emerged.BiopicsIslamIranQatarBen © 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved.
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